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The Intellectual Property Message of Pixar’s Coco

A world in which the memory of a person imbues that person with strength or after death the inequalities are preserved is one where canonization directly benefits the ego of a soul and goods are transferred to the spirit world in material death ceremonies.

One metaphysical question is whether the souls in the world of death are existing based on the memory of living people or the historical record? There is no person alive that has a memory of another person that was born over 250 years ago. If this were the case, a person reaching their 125 year would have to remember meeting someone that was 125.

If it is also the case that a person is imbued with power based only on the reproduction of images of that person and the viewing of that person, then figures in the mass media are extra powerful. However, if it is only through the memory of the person & a personal connection, although the number of people that have heard about a person are great, the actual psychic energy that imbues them with strength is much weaker.

The custom of remembrance in the mind and memorials both make up the economy of health and wealth in the underworld.

Scoundrels that have stolen the works of other reap the benefits of this also in the afterlife and deprive those bereft souls of safety and comforts. Even in the afterlife people are consumed by the idea of meeting and paying attention to their idols, entertainers. In the absence of bodily need, entertainment & past times, like singing, dancing & gambling make up the prime activities. Certain activities like running a plant or electrical or water system make no sense in the immaterial world unless the immaterial world is more like a plane of second life and comparable to the material world in the needs of its inhabitants.

Justice is eventually had for the musician that had his songs stolen as the events were not sealed at death but played out in a drama where that information is passed back to the world of the living, leading to a contestation and rewriting of history in the material world. This feeds back into the immaterial world and futures change. A person who was boosted by idolization is then rebuffed by all his fans.

A person is remembered by their contribution to humanity and their family & friends. The result of this in the soul world is a society of celebrity. Given a chance to read a well-known author and an unknown one, a person will choose the well-known one even if this monopoly produces suffering from a lack of remembrance. As a networked phenomenon, the unknowns drop out, and the knowns spread through the reproductions of their work. There is suffering in the afterlife, not only from regret by souls, but in that not more is known of the people in the past by the living. This is one conclusion.

There is a theoretical possibility that a soul has memories of the past world and that his relatives exist at a deeper layer not accessible. Otherwise if all the people existed in the soul world layer 1, a single household might contain a multitude. Although it is possible also that they just live somewhere else. The Greek philosophers only speaking ancient greek have walled off in a replica. If not for the possibility of isolation and travel, the soul world would be a celebrity driven oligarchy, possibly a totalitarian state where food from offerings is doled out to weak and unknown souls for their services, their passive income a fraction, an offering only once in a while or not at all.

These are some theoretical metaphysical considerations to the problems of memory or attention as a fungible thing that plays a substantial role in an unseen layer of existence.

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Movies

Books of Blood (2020): Review

This movie has 3 interesting houses: A modern house, a more typical horror house set in a blighted area, and an organic bed n’ breakfast. Made by Clive Barker, he puts some emphasis on housing. For example, the house in Hellraiser is a new purchase (I believe), something to do with real estate, and most of the action takes place in a room upstairs. This is a fairly common idea, that a house has some secrets or history, and entering a new house, there’s a contract or arrangement that is tacitly made. This is used to give a sense of anxiety.

Nearly all the characters in Books of Blood have dubious morals. There are innocent people that suffer for no good reason, only they have walked into a trap laid by these people. After the introduction, the film starts in a modern house. Is there a trap here? More like deep inconsideration and callousness. Two normal people have an abnormal daughter. Mother remarried, him & her, live in a piece of artwork. They have sex. The daughter downstairs with a hypersensitivity to sound. They want her to take her pills. This is an impossible situation because of the loss of agency with mental illness based on a prior incident and living at a psychiatric facility. Starting with these events in the past, her arc has two paths which coincide in the organic house.

It is also instructive to compare the couple that live in the organic house with her parents. This couple lives off the earth having no problem with life, mastery over it. Overtime, they have constructed a bed n’ breakfast and invite strangers into their home.

To write some about the Books of Blood, after a fissure is made, a large section of town is covered in darkness and spirits. The normal folk know that it is haunted. In America, there are whole neighborhoods that have fallen into disrepair. This is not the same, only you do not want to go into certain neighborhoods you have no business being in. Perhaps, it is similar toward this blighted part of town, the attitudes of the middle-class. A single house lies in the center of the blighted area, a family of spirits, a witch, her son, and her lover. They are a trio transformed through death and deceit and they tie the events of the story together. They are omniscient and understand the happenings through spiritual law.